top of page

HELEN PHILIPP

Artist in Residence at  Shakespeare Grove Artist Studios, St Kilda.

HP Studio 3 2023.jpg
Home: Welcome
IMG_1702_edited.jpg

MY WORK

helen philipp

Stitch by stitch, circle by circle, weaving is like the creation of life, all things are connected”. Auntie Ellen Trevorrow, 2003

Working with materials including dyed Madagascan raffia, paper twine, wire and found objects Philipp's early works draw inspiration from the vibrant colours and circular forms of sea- creatures, using enlarged photographs of plankton as a reference for creating sculptural forms. Underpinning this is her  exploration of the relationship between form, materiality, and colour in the discipline of her weaving.

Home: About
4 Three squidscloseup.jpg
Home: Image
red%2520and%2520yellow%25208x10_edited_edited.jpg
Home: Image
red%2520and%2520blue%2520tintinids-%252014%2520%2520Pieces_edited_edited_edited_edited.jpg

SOLO EXHIBITION
"14 PIECES"

Carlisle Street Art Space
May 12-June 9 2021

For some years I had been weaving sculptural works based on the circular forms of sea creatures, particularly photographic enlargements of Plankton such as Jellyfish, Squid and Tintinnids. The challenge became, to respond through my work to the disturbing CSIRO findings about the damage waste plastic does to marine life.

I began to collect plastic on the St Kilda foreshore, where I walk my dog: straws, soya sauce containers and bottle tops, which were all in abundance, thrown away by those who visit the beach or washed into our bay through storm water.

The materiality of the plastics began to fascinate me as did the challenge of incorporating them into my woven forms. I tried to use their shapes and colours in ways that enhanced and furthered the aesthetic, whilst employing different ways to incorporate the plastics which would provoke thought about the way they permeate and damage marine

Home: About
02_AusTap_Gallery_Marie-Luise-Photographer_02.jpg

INSITU 'LEFTOVER- LOVE' AUSTRALIAN  TAPESTRY WORKSHOP 2022

 'Entangled' (Jellyfish) by Helen Philipp, Sculptural steel works by Carolyn Menzies,

 

Home: Image

PLASTIC FILLED CEPHALOPOD

2020

I find new ways of using the plastic; here the plastic filled squid  symbolises the mass ingestion of plastic by marine life.

Cephalopods include squid, octopus, nautilus and cuttlefish. Cephalopods are famous for their eyes, which are large, and in some species, as complex as the human eye. This fact is celebrated visually by the addition of vintage buttons.

 If you look closely, you will observe that these creatures have literally become engorged with plastic.

Engorged 1
Home: Gallery

ENGORGED 2

2020

Home: Image
West End 2022 Insitu 3 jpg.jpg

West End Art Space

solo exhibition 2022

Home: Image
Anemone Bowl_edited.jpg

ANEMONE BOWL

2021

Home: Image
4_DSF6258-Edit-.jpg

RAY BOWL

2021

Home: Image
Anemone Bowl 3_edited_edited.jpg

ANEMONE BOWL 3

2021

Home: Image
green and orange tintinnids 2.jpg

GREEN AND ORANGE TINTINNIDS

2020

Home: Image
Pinnacles  Jellyfish long shot (20 jpg.jpg

LEFTOVER LOVE:NEW DIRECTION

Pinnacles, Townsville Regional Gallery April- June 2020

Home: About

"AFTER BURN"              & GALLERY 2023

Insitu & Gallery2023.jpg
Home: Welcome

“After Burn” is a series of works about regeneration, which respond to the destruction, loss and chaos that has characterized the past few years; pandemic, war, fire, flood and my own broken bones (the result of a collision with a dog on the beach). Both in the natural world and in our own lived experience, turmoil and loss are devastating. Yet, if endured, they can be the source of remarkable change and regeneration.  Just before the onset of Covid,​ I stumbled upon a forest of Australian native Xanthorrehoea at the Victorian-South Australian border. They were in full flower and stretched as far as the eye could see. The image of these grass trees, which flower in response to extreme stress (often fire) became a metaphor for exploring the possibility of new growth and transformation in the wake of trauma. The act of weaving these forms has been an integral part of creating my own order in times when order was elusive.

Home: Text

AFTERMATH (2023)

H.Philipp_HR_01 Aftermath 40hx55wx27d paper twine wire papier mache  varnish.jpg
H.Philipp_HR_18.jpg

UNSCATHED(2023)

REGENERATION 3 (2023)

H.Philipp_HR_07.jpg
Helen_Philipp_ Afterburn 4, 2022, $1800, 55x20x20, Paper twine, Raffia, Wire, Varnish..jpg

AFTER BURN 4 (2022)

REGENERATION 5  (2023)

H.Philipp_HR  Regeneration 5, 2023, $1200  Aprox 87x 15 x10 cm, repurposed timber,paper tw
Home: Causes
Home: Pro Gallery

CV

May 13-19 2019

SOLO SHOW - ‘BENEATH THE SURFACE’,

YARRA SCULPTURE GALLERY.

February 2020

GROUP SHOW ‘DOING IT DIFFERENTLY’ GEELONG ART SPACE.

May 12-June 9, 2021

 SOLO SHOW “14 PIECES” CARLISLE STREET ART SPACE, PORT PHILLIP COUNCIL, ST KILDA TOWN HALL.

December 17,2021- March 11, 2022

GROUP SHOW – ‘LEFT OVER LOVE’. AUSTRALIAN TAPESTRY WORKSHOP

Feb10- March10 2022

FINALIST YAVA ‘INTERIORS’ SMALL SCULPTURE EXHIBITION

Feb 27-April 2022

FINALIST YERING STATION SCULPTURE EXHIBITION AND AWARDS

August 19-September 18 2022

 ‘RE/ORDER’ -GROUP SHOW DIVISIONS GALLERY MELBOURNE. 

 September7-24 2022-

 ‘SEA THINGS’, SOLO EXHIBITION WEST END ART SPACE.

 September 16 -October 21 2022-

FINALIST DEAKIN SMALL SCULPTURE PRIZE- DEAKIN UNIVERSITY GALLERY

March 24-June 18 2023

LEFTOVER LOVE: NEW DIRECTIONS, GROUP SHOW OF 8 ARTISTS  TO OPEN TOWNSVILLE REGIONAL, PINNACLES GALLERY

August 2023

 FINALIST WYNDHAM SMALL SCULPTURE PRIZE

December 2023

FINALIST YERING STATION SCULPTURE PRIZE

August 2023

AFTER BURN, SOLO EXHIBITION,  & GALLERY, SORRENTO, DEC 27 2023- JAN 21 2024.

Home: CV
Home: Contact
bottom of page